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John Constable · 1821

The Hay Wain

Posters from $15.00 CAD · Canvas from $39.00 CAD

Ships to the US & Canada

Constable's serene English countryside — a horse-drawn cart fording a stream beside Willy Lott's cottage in Suffolk. The defining image of pastoral England.

Up to 24 × 16 in · landscape

Size

Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.

Format & finish

Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.

Scale next to a 5'10" person

2416

+ tax at checkout

Materials & quality

Canvas & inks

Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.

Floater frame

Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.

Posters

Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.

Faithful to the source

Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.

The story of The Hay Wain

The Hay Wain – originally titled Landscape: Noon – is a painting by John Constable, completed in 1821, which depicts a rural scene on the River Stour between the English counties of Suffolk and Essex. It hangs in the National Gallery in London and is regarded as "Constable's most famous image" and one of the greatest and most popular English paintings. It is considered as one of the quintessential paintings from the Romantic movement of arts and literature.

Adapted from Wikipedia, available under CC BY-SA 4.0.

John Constable

John Constable was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area on the borderland of Suffolk and north Essex surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".

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Biography adapted from Wikipedia, available under CC BY-SA 4.0.