William Blake · c.1805–10
The Great Red Dragon and the Woman Clothed in Sun
Posters from $10.82 USD · Canvas from $28.14 USD
Ships anywhere in the USA
Blake's apocalyptic dragon from Revelation rearing over a small kneeling woman whose body is haloed by the sun. Brooklyn Museum.
Up to 8 × 10.1 in · portrait
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
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Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of The Great Red Dragon and the Woman Clothed in Sun
A winged beast with a man's back and a serpent's tail hangs in the air, arms spread, over a small woman whose whole body glows like a lamp. Blake painted the scene from the Book of Revelation in watercolor sometime between 1805 and 1810, one of four versions he made, and this one belongs to the Brooklyn Museum. It has had a second life in thrillers and album covers, but the original is stranger and more tender than any of that. The dragon is drawn from behind, so you share his view of the woman, and that is what makes it uncomfortable.
The colors are muted: rust, ochre, gray-violet, and the pale gold of the woman's halo against a dim sky. It is a vertical image that carries a lot of feeling in a small area, which is why we offer it only at the Mini, 8 × 10.1 in. That is not a compromise. This is a piece for a desk, a bookshelf, a reading nook, or a tight gallery-wall cluster of prints, where a viewer stands close enough to see the pencil under the wash. It suits dark studies, moody bedrooms, and anyone who likes their walls to have a little menace.
Pair it with Blake's own The Ancient of Days, the compass-wielding creator that is its calm opposite, or with Newton for a trio of Blake's visionary figures. Goya's Saturn Devouring His Son is the other painting people put next to this one when they want a wall that unsettles. More from William Blake.
We print from a public-domain photograph of the Brooklyn Museum watercolor, so the paper texture and Blake's faint pencil lines come through on the canvas.
William Blake
William Blake was an English poet, painter and printmaker. Largely unrecognised during his life, Blake has become a seminal figure in the history of the poetry and visual art of the Romantic Age. What he called his "prophetic works" were said by the 20th-century critic Northrop Frye to form "what is in proportion to its merits the least read body of poetry in the English language". While he lived in London his entire life, except for three years spent in Felpham, he produced a diverse and symbolically rich collection of works, which embraced the imagination as "the body of God", or "human existence itself".
All William Blake prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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