Michelangelo · c.1487–88
The Torment of Saint Anthony
Posters from $15.00 CAD · Canvas from $39.00 CAD
Ships to the US & Canada
Michelangelo's earliest known painting — a 12-year-old's vision of demons clawing the saint above a sunlit Apennine landscape. Kimbell Art Museum.
Up to 12 × 16 in · portrait
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of The Torment of Saint Anthony
The Torment of Saint Anthony is a painting attributed to Michelangelo, though his authorship is disputed. If it is by Michelangelo, it is his earliest surviving work, having been produced in c. 1487–88 when he was 12-13 years old. It is in the collection of Kimbell Art Museum in Fort Worth, Texas.
Adapted from Wikipedia, available under CC BY-SA 4.0.
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni, known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. He was born in the Republic of Florence but was mostly active in Rome from his 30s onwards. His work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era.
All Michelangelo prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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