Édouard Manet · 1873
The Railway (Gare Saint-Lazare)
Posters from $15.00 CAD · Canvas from $39.00 CAD
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Manet's modern Paris — a young woman with an open book and her young charge in a white dress, separated from the steam-clouded Gare Saint-Lazare by iron railings. National Gallery of Art, Washington.
Up to 48 × 39 in · landscape
Size
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of The Railway (Gare Saint-Lazare)
The Railway, widely known as Gare Saint-Lazare, is an 1873 painting by Édouard Manet. It is the last painting by Manet of his favourite model, the fellow painter Victorine Meurent, who was also the model for Olympia and the Luncheon on the Grass, among other paintings by Manet. It was exhibited at the Paris Salon in 1874 and donated to the National Gallery of Art in Washington, D.C. in 1956.
Adapted from Wikipedia, available under CC BY-SA 4.0.
Édouard Manet
Édouard Manet was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
All Édouard Manet prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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