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Jean-Léon Gérôme · c.1879

The Snake Charmer

Posters from $15.00 CAD · Canvas from $39.00 CAD

Ships to the US & Canada

Gérôme's most famous Orientalist canvas — a nude boy displaying an enormous python to a row of seated soldiers in a tiled palace. Clark Art Institute.

Up to 24 × 16 in · landscape

Size

Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.

Format & finish

Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.

Scale next to a 5'10" person

2416

+ tax at checkout

Materials & quality

Canvas & inks

Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.

Floater frame

Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.

Posters

Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.

Faithful to the source

Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.

The story of The Snake Charmer

The Snake Charmer is an oil-on-canvas painting by French artist Jean-Léon Gérôme produced around 1879. After it was used on the cover of Edward Said's book Orientalism in 1978, the work "attained a level of notoriety matched by few Orientalist paintings," as it became a lightning-rod for criticism of Orientalism in general and Orientalist painting in particular, although Said himself does not mention the painting in his book. It is in the collection of the Sterling and Francine Clark Art Institute, which also owns another controversial Gérôme painting, The Slave Market.

Adapted from Wikipedia, available under CC BY-SA 4.0.

Jean-Léon Gérôme

Jean-Léon Gérôme was a French painter and sculptor in the style now known as academicism. His paintings were so widely reproduced that he was "arguably the world's most famous living artist by 1880." The range of his works includes historical paintings, Greek mythology, Orientalism, portraits, and other subjects. Gérôme is considered among the most important painters from the academic period and was, with Meissonier and Cabanel, one of "the three most successful artists of the Second Empire".

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Biography adapted from Wikipedia, available under CC BY-SA 4.0.