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Jan van Eyck · c.1435

Madonna of Chancellor Rolin

Posters from $15.00 CAD · Canvas from $39.00 CAD

Ships to the US & Canada

The Burgundian chancellor Nicolas Rolin facing the Virgin and Child across an arched loggia, a tiny Flemish city visible behind them. Louvre.

Up to 10 × 10 in · portrait

Size

Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.

Format & finish

Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.

Scale next to a 5'10" person

1010

+ tax at checkout

Materials & quality

Canvas & inks

Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.

Floater frame

Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.

Posters

Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.

Faithful to the source

Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.

The story of Madonna of Chancellor Rolin

The Madonna of Chancellor Rolin is an oil painting by the Early Netherlandish painter Jan van Eyck, dating from around 1435. It is now in the Musée du Louvre, Paris. It was commissioned by Nicolas Rolin chancellor of the Duchy of Burgundy, then aged about 60, whose votive portrait takes up the left side of the picture, for his parish church, Notre-Dame-du-Chastel in Autun, where it remained until the church burnt down in 1793. After a period in Autun Cathedral, it was moved to the Louvre in 1805.

Adapted from Wikipedia, available under CC BY-SA 4.0.

Jan van Eyck

Jan van Eyck was an early Netherlandish painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the supreme figures of the Early Northern Renaissance. Such was his legacy, that he has been called “the inventor of oil-painting” by Vasari, Ernst Gombrich, and others, although this claim is now considered an oversimplification.

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Biography adapted from Wikipedia, available under CC BY-SA 4.0.