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Camille Pissarro · 1898

Avenue de l'Opéra

Posters from $15.00 CAD · Canvas from $39.00 CAD

Ships to the US & Canada

Pissarro's view down Haussmann's grand new boulevard from his Grand Hôtel window — chestnut trees in early-spring leaf, the Palais Garnier rising in the distance, carriages and pedestrians threading the broad street.

Up to 14 × 11 in · landscape

Size

Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.

Format & finish

Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.

Scale next to a 5'10" person

108

+ tax at checkout

Materials & quality

Canvas & inks

Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.

Floater frame

Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.

Posters

Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.

Faithful to the source

Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.

The story of Avenue de l'Opéra

La Place du Théâtre Français is an 1898 oil painting by Danish-French Impressionist and Neo-Impressionist painter Camille Pissarro. It is at the Los Angeles County Museum of Art in Los Angeles, USA, but it is currently not on public display. It is one of the approximately 15 paintings that Pissarro made while staying at the Grand Hôtel du Louvre in Paris.

Adapted from Wikipedia, available under CC BY-SA 4.0.

Camille Pissarro

Jacob Abraham Camille Pissarro was a Danish-French Impressionist and Neo-Impressionist painter born on the island of Saint Thomas. His importance resides in his contributions to both Impressionism and Post-Impressionism. Pissarro studied from great forerunners, including Gustave Courbet and Jean-Baptiste-Camille Corot. He later studied and worked alongside Georges Seurat and Paul Signac when he took on the Neo-Impressionist style at the age of 54.

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Biography adapted from Wikipedia, available under CC BY-SA 4.0.