Thomas Moran · 1872
The Grand Canyon of the Yellowstone
Posters from $15.00 CAD · Canvas from $39.00 CAD
Ships to the US & Canada
Moran's painting that helped persuade Congress to establish Yellowstone as the world's first national park. Smithsonian American Art Museum.
Up to 48 × 27 in · landscape
Size
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of The Grand Canyon of the Yellowstone
The Grand Canyon of the Yellowstone is an oil on canvas painting created by English-American artist Thomas Moran in 1872. It is credited with increasing the American public's interest in conservation efforts. The painting is on display at the U.S. Department of the Interior Museum.
Adapted from Wikipedia, available under CC BY-SA 4.0.
Thomas Moran
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family, wife Mary Nimmo Moran and daughter Ruth, took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
All Thomas Moran prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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