Charles-Théodore Frère · by 1880
Jerusalem from the Mount of Olives
Posters from $15.00 CAD · Canvas from $39.00 CAD
Ships to the US & Canada
Public-domain work from the Metropolitan Museum of Art's open access collection.
Up to 16 × 11 in · landscape
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of Jerusalem from the Mount of Olives
Charles-Théodore Frère — French Orientalist, official painter to the Empress Eugénie — painted Jerusalem from the Mount of Olives in 1862 after one of his three extended journeys through the Holy Land. The view from the eastern slope of the Mount of Olives looks westward across the Kidron Valley to the Temple Mount and the Dome of the Rock, the Old City walls catching the late afternoon light. The most-pinned Holy Land view of the 19th century.
Charles-Théodore Frère
Charles-Théodore Frère was a French Orientalist painter. His younger brother, Pierre-Édouard, and his nephew and namesake, Charles Edouard Frère, were also painters.
All Charles-Théodore Frère prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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