Hilma af Klint · 1907
The Ten Largest, No. 7, Adulthood
Posters from $15.00 CAD · Canvas from $39.00 CAD
Ships to the US & Canada
From af Klint's monumental Ten Largest series — a 10-foot canvas of orange spirals and floral motifs representing the four ages of human life. No. 7 (Adulthood) shown.
Up to 18 × 24 in · portrait
Size
Larger sizes are unavailable for this painting because the source scan's resolution wouldn't print at gallery quality.
Format & finish
Archival cotton canvas stretched over a wooden frame. Ready to hang as-is. No external frame.
Scale next to a 5'10" person
+ tax at checkout
Materials & quality
›Canvas & inks
Giclée-printed on archival cotton canvas with fade-resistant pigment inks, hand-stretched over wooden bars. Gallery-wrapped — ready to hang with no extra frame needed.
›Floater frame
Hand-finished solid wood floater frame in five finishes. The canvas sits inside with a clean shadow gap — the way galleries hang contemporary canvas.
›Posters
Premium archival paper — 200 gsm soft matte or 230 gsm vibrant glossy. Ships flat or rolled, ready for your own frame.
›Faithful to the source
Printed from the highest-resolution museum and archive scans available. Each painting's maximum size is capped at what its source scan can support at gallery quality.
The story of The Ten Largest, No. 7, Adulthood
Hilma af Klint's monumental Ten Largest series (1907) consists of ten ten-foot canvases depicting the four ages of human life — Childhood, Youth, Adulthood, Old Age — in jewel-bright orange, blue, and pink abstraction. Painted years before Kandinsky, Malevich, or Mondrian arrived at pure abstraction, the series remained hidden in af Klint's studio for decades, only emerging into the international art world after her 2018 Guggenheim retrospective. Adulthood (No. 7) is one of the most-reproduced individual canvases.
Hilma af Klint
Hilma af Klint was a Swedish artist and mystic whose paintings are considered to be among the first major abstract works in Western art history. A considerable body of her work predates the first purely abstract compositions by Kandinsky, Malevich, and Mondrian. She belonged to a group called "The Five", a circle of women inspired by Theosophy who shared a belief in the importance of trying to contact the "High Masters", often through séances. Her paintings, which sometimes resemble diagrams, were a visual representation of complex spiritual ideas.
All Hilma af Klint prints →Biography adapted from Wikipedia, available under CC BY-SA 4.0.
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